AAAAAA
Results:
1-9
|
Results: 9
Authors:
Senelick, L
Citation: L. Senelick, Theatrical costume, masks, make-up and wigs. A bibliography and iconography, THEAT RES I, 26(2), 2001, pp. 212-213
Authors:
Senelick, L
Citation: L. Senelick, Understanding Chekhov: A critical study of Chekhov's prose and drama, THEAT HIS S, 20, 2000, pp. 171
Authors:
Senelick, L
Citation: L. Senelick, Out on stage: Lesbian and Gay theatre in the twentieth century, THEAT RES I, 25(3), 2000, pp. 304-305
Authors:
Senelick, L
Citation: L. Senelick, Picturing performance: The iconography of the performing arts in concept and practice, THEAT RES I, 25(2), 2000, pp. 203-204
Authors:
Senelick, L
Citation: L. Senelick, Double vision: Second Empire theatre in stereographs, THEAT RES I, 24(1), 1999, pp. 82-88
Authors:
Senelick, L
Citation: L. Senelick, The popular theatre movement in Russia, 1862-1919, RUSS REV, 58(3), 1999, pp. 488-489
Authors:
Senelick, L
Citation: L. Senelick, Preteens, AM HERITAGE, 50(8), 1999, pp. 10-10
Authors:
Senelick, L
Citation: L. Senelick, Three tragic actresses: Siddons, Rachel, Ristori, VICT STUD, 41(2), 1998, pp. 325-327
Authors:
Senelick, L
Citation: L. Senelick, Monsieur Gouffe (The Surrey Theatre), THEAT NOTE, 52(3), 1998, pp. 172-175
Risultati:
1-9
|