Authors: TOMASELLI KG SHEPPERSON A

Citation: Kg. Tomaselli et A. Shepperson, OVERCOMING THE CONSEQUENCES OF APARTHEID THROUGH THE UNDERSTANDING OFSIGNS - SEMIOTICS IN SOUTH-AFRICA, Zeitschrift fur Semiotik, 20(1-2), 1998, pp. 161-174

Authors: TOMASELLI KG SHEPPERSON A

Citation: Kg. Tomaselli et A. Shepperson, COURSE FILE FOR DOCUMENTARY FILM, VISUAL ANTHROPOLOGY, AND VISUAL SOCIOLOGY, Journal of film and video, 49(4), 1997, pp. 44-57

Authors: TOMASELLI KG

Citation: Kg. Tomaselli, CHOPI MUSIC OF MOZAMBIQUE - HALLIS,R, HALLIS,O, Ethnomusicology, 40(1), 1996, pp. 163-164

Authors: TOMASELLI KG SHEPPERSON A EKE M

Citation: Kg. Tomaselli et al., TOWARDS A THEORY OF ORALITY IN AFRICAN CINEMA, Research in African literatures, 26(3), 1995, pp. 18-35

Authors: TOMASELLI KG

Citation: Kg. Tomaselli, AFRICAN STARS - STUDIES IN BLACK SOUTH-AFRICAN PERFORMANCE - ERLMANN,V, American ethnologist, 21(4), 1994, pp. 956-957

Authors: TOMASELLI KG BOSTER B

Citation: Kg. Tomaselli et B. Boster, MANDELA, MTV, TELEVISION AND APARTHEID, Popular music and society, 17(2), 1993, pp. 1-19