Citation: A. Wesemann et J. Kylian, BACK TO THE ABORIGINES - KYLIAN,JIRI TALKS ABOUT HIS EXPERIENCES IN AUSTRALIA - AN INTERVIEW, Ballett international, Tanz aktuell, (7), 1998, pp. 26-27
Citation: A. Wesemann et J. Odenthal, DANCE OF IDENTITIES - ODENTHAL,JOHANNES FROM THE HAUS-DER-KULTUREN-DER-WELT IN BERLIN ON THE END OF VILLAGE CULTURES (AN INTERVIEW), Ballett international, Tanz aktuell, (7), 1998, pp. 36-37
Citation: A. Wesemann, 'RICH AND FAMOUS' - POP DANCES AT BERLIN PODEWIL (HIGHLIGHTS OF THE BERLIN-FESTIVAL OF APPLIED POP CULTURE), Ballett international, Tanz aktuell, (7), 1998, pp. 51-52
Citation: A. Wesemann, KEEPING THE WORLD AT ARMS LENGTH (THE DRAMATURG BETWEEN DREAM JOB ANDPR-ADVISER), Ballett international, Tanz aktuell, (6), 1998, pp. 24-25
Citation: A. Wesemann, EXPRESSION AND POSSIBILITY - TOWARD A UNIFIED THEORY OF MODERN-DANCE - HATANO,E, Ballett international, Tanz aktuell, (5), 1998, pp. 21-21
Citation: A. Wesemann, FILM ESSAYS BY HARTEL,HEIDE,MARIE (3RD TELE-TANZJOURNAL PRODUCED FOR 3SAT, A NETWORK SERVING 3 COUNTRIES), Ballett international, Tanz aktuell, (4), 1998, pp. 16-16
Citation: A. Wesemann, SCHLOMER,JOACHIM - IT HAS TO FLOW (HOW A CHOREOGRAPHER AS DIRECTOR MAKES A DRAMA WORK, REHEARSING FOR 'PARZIFAL'), Ballett international, Tanz aktuell, (4), 1998, pp. 24-27