Citation: L. Woodbridge, RENAISSANCE MAGIC AND HERMETICISM IN THE SHAKESPEARE SONNETS - LIKE PRAYERS DIVINE - JONES,TO, Renaissance quarterly, 51(2), 1998, pp. 678-679
Citation: L. Woodbridge, ECHOES OF DESIRE - ENGLISH PETRARCHISM AND ITS COUNTERDISCOURSES - DUBROW,H, The Journal of English and Germanic philology, 96(4), 1997, pp. 603-606
Citation: L. Woodbridge, MEN IN WOMENS CLOTHING - ANTI-THEATRICALITY AND EFFEMINIZATION, 1579-1642 - LEVINE,L, Renaissance quarterly, 50(2), 1997, pp. 656-657
Citation: L. Woodbridge, GENDER IN PLAY ON THE SHAKESPEAREAN STAGE - BOY HEROINES AND FEMALE PAGES - SHAPIRO,M, Modern philology, 94(4), 1997, pp. 518-522
Citation: L. Woodbridge, THE 'FLOWER OF FRIENDSHIP' - A RENAISSANCE DIALOGUE CONTESTING MARRIAGE - TILNEY,E, WAYNE,V, Shakespeare quarterly, 47(3), 1996, pp. 337-338
Citation: L. Woodbridge, THE BODY EMBARRASSED, DRAMA AND THE DISCIPLINES OF SHAME IN EARLY-MODERN ENGLAND - PASTER,GK, Modern philology, 93(3), 1996, pp. 378-381
Citation: L. Woodbridge, PATCHWORK, PIECING THE EARLY-MODERN MIND IN ENGLAND 1ST-CENTURY OF PRINT CULTURE, English literary renaissance, 23(1), 1993, pp. 5