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Results: 1-25/196
Authors:
Wesemann, A
Citation: A. Wesemann, Freedom for dance! Dance's origins do not lie in the theatre but in the feast. Today, after 30 years of struggle, dance is about to break free again, BALLETT INT, 2001, pp. 14-23
Authors:
Wesemann, A
Citation: A. Wesemann, Constanza Macras, Argentinian dancer and choreographer and a new Berlin star, BALLETT INT, 2001, pp. 36-38
Authors:
Wesemann, A
Ruckert, F
Citation: A. Wesemann et F. Ruckert, Dance is sex with the audience - Tactile element of dance, can touching replace our eyes? An interview with Felix Ruckert, BALLETT INT, 2001, pp. 44-47
Authors:
Siegmund, G
Regitz, H
Strommen, M
Fischer, EE
Merz, R
Dixon, M
Vaccarino, E
Cramer, FA
Greskovic, R
Witzeling, K
Amort, A
Spangberg, M
Parish, P
Ploebst, H
Schneider, K
Crabb, M
Huster, W
Schmidt, J
Mainiece, V
Vollmer, H
Sirvin, R
Leask, J
Rasanen, A
Hahn, T
Draeger, V
Wesemann, A
Citation: G. Siegmund et al., The Ballet-Tanz VIP Lounge 2001 (Critics select 28 personalities-of-the-year from among dancers, choreographers, producers and people who moved something in dance), BALLETT INT, 2001, pp. 98-109
Authors:
Wesemann, A
Citation: A. Wesemann, Question hour (The CDU inquiry concerning dancer training), BALLETT INT, (8-9), 2001, pp. 2-2
Authors:
Wesemann, A
Citation: A. Wesemann, Guinea pigs in the Tanzquartier ('Europe Dances, 48 Hours of the Vienna Congress of Guinea Pigs'), BALLETT INT, (8-9), 2001, pp. 7-7
Authors:
Wesemann, A
Citation: A. Wesemann, Tanz-Bremen saved? (A "Performance in Dance" festival for 2002), BALLETT INT, (8-9), 2001, pp. 7-7
Authors:
Wesemann, A
Citation: A. Wesemann, Yva, BALLETT INT, (8-9), 2001, pp. 9-9
Authors:
Wesemann, A
Citation: A. Wesemann, The nature of cultures: Ideas for a theory of cultural genesis, BALLETT INT, (8-9), 2001, pp. 24
Authors:
Wesemann, A
Citation: A. Wesemann, Koni Hanft, BALLETT INT, (8-9), 2001, pp. 67
Authors:
Wesemann, A
Citation: A. Wesemann, Beyond (Samir Akika), BALLETT INT, (8-9), 2001, pp. 98-99
Authors:
Wesemann, A
Citation: A. Wesemann, Before the rain (Romania and the current dance scene in the West), BALLETT INT, (7), 2001, pp. 6-6
Authors:
Wesemann, A
Citation: A. Wesemann, Finished, done (Bad news for Bochum's Tanztheater-aus-der-Zeche and Heidelberg's Unterwegs-Theater, plus a new home for the Dance-Theatre-of-Ireland), BALLETT INT, (7), 2001, pp. 15-15
Authors:
Wesemann, A
Citation: A. Wesemann, Sam Weber, Max Pollak, Josh Hilberman - The new generation of tap, BALLETT INT, (7), 2001, pp. 24-24
Authors:
Wesemann, A
Citation: A. Wesemann, Pina is pop - Following a trip to Brazil, Pina Bausch's Wuppertaler-Tanztheater pays homage to tourism, BALLETT INT, (7), 2001, pp. 44-47
Authors:
Wesemann, A
Citation: A. Wesemann, 'Lac deS Singes', BALLETT INT, (7), 2001, pp. 53-53
Authors:
Wesemann, A
Citation: A. Wesemann, Global Tools - Design in the Age of Intensive Care Units, BALLETT INT, (7), 2001, pp. U76-U76
Authors:
Wesemann, A
Citation: A. Wesemann, Like the dervishes: The dance around dance (The contemporary Berlin dance scene), BALLETT INT, (6), 2001, pp. 6-6
Authors:
Wesemann, A
Citation: A. Wesemann, Centro-de-danza-Leon (New dance center in Spain), BALLETT INT, (6), 2001, pp. 13-13
Authors:
Wesemann, A
Citation: A. Wesemann, Alessandra Ferri (A portrait of the prima ballerina of Milan's Scala), BALLETT INT, (6), 2001, pp. 18-23
Authors:
Wesemann, A
Citation: A. Wesemann, Forgetful Europe: A dance festival in Ankara reveals much about modern Turkey (The 3rd METU Festival), BALLETT INT, (6), 2001, pp. 26-27
Authors:
Wesemann, A
Citation: A. Wesemann, A portrait of choreographer Canan Erek, BALLETT INT, (6), 2001, pp. 29-29
Authors:
Wesemann, A
Citation: A. Wesemann, 'Into the Blue', BALLETT INT, (6), 2001, pp. 51-51
Authors:
Wesemann, A
Citation: A. Wesemann, 'mono subjects', BALLETT INT, (6), 2001, pp. 51-51
Authors:
Wesemann, A
Citation: A. Wesemann, 'Twins', BALLETT INT, (6), 2001, pp. 55-56