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Results: 26-50/196
Authors:
Wesemann, A
Citation: A. Wesemann, 'Riss Umriss', BALLETT INT, (6), 2001, pp. 55-55
Authors:
Wesemann, A
Citation: A. Wesemann, Child's play in Zurich and Berlin, BALLETT INT, (5), 2001, pp. 8-8
Authors:
Wesemann, A
Citation: A. Wesemann, Take Richard Wherlock seriously, at last! Wherlock leaves Berlin, BALLETT INT, (5), 2001, pp. 50-51
Authors:
Wesemann, A
Citation: A. Wesemann, Ein 'Sturm', BALLETT INT, (5), 2001, pp. 55-55
Authors:
Wesemann, A
Citation: A. Wesemann, News from the editorial office, BALLETT INT, (4), 2001, pp. 8-8
Authors:
Wesemann, A
Hoghe, R
Citation: A. Wesemann et R. Hoghe, Producers' Prize 2001 goes to Raimund Hoghe (An interview with Raimund Hoghe), BALLETT INT, (4), 2001, pp. 11-11
Authors:
Wesemann, A
Citation: A. Wesemann, She-gladiator (A portrait of dancer Lisbeth Gruwez), BALLETT INT, (4), 2001, pp. 20-23
Authors:
Wesemann, A
Citation: A. Wesemann, Alarm system California (The crises of dance there also throw their shadows towards Europe), BALLETT INT, (3), 2001, pp. 6-6
Authors:
Wesemann, A
Citation: A. Wesemann, Scarred teeth - With the 3rd German Producers' Prize Jo Fabian stages The 'Dark Side of Time', BALLETT INT, (3), 2001, pp. 40-42
Authors:
Wesemann, A
Fabian, J
Citation: A. Wesemann et J. Fabian, Build new theatres! Jo Fabian, winner of this year's Producers' Prize, on structures, sponsors, and his utopia, BALLETT INT, (3), 2001, pp. 42-43
Authors:
Wesemann, A
Citation: A. Wesemann, Do dance slower! (A slow dance tells of the diversity of sensual impressions), BALLETT INT, (3), 2001, pp. 76-76
Authors:
Wesemann, A
Citation: A. Wesemann, The Avant-Garde is dead, BALLETT INT, (2), 2001, pp. 6-6
Authors:
Wesemann, A
Citation: A. Wesemann, Magazine (Germany's Goethe-Institute undergoes restructuring), BALLETT INT, (2), 2001, pp. 10-10
Authors:
Wesemann, A
Citation: A. Wesemann, Magazine (Joachim Schlomer turns down the offer to come to the Deutsche-Opera in Berlin again), BALLETT INT, (2), 2001, pp. 11-11
Authors:
Wesemann, A
Citation: A. Wesemann, The career advisor (A report on "Manifesto", the dance conference for lobbyists held in Amsterdam), BALLETT INT, (2), 2001, pp. 38-39
Authors:
Wesemann, A
Citation: A. Wesemann, The art of being naked (The body as art object in dance), BALLETT INT, (1), 2001, pp. 6-6
Authors:
Wesemann, A
Citation: A. Wesemann, Crystal Pite (The top ballerina from the Frankfurt-Ballet loves her alter ego Crissy-Rockbottom), BALLETT INT, (1), 2001, pp. 18-23
Authors:
Wesemann, A
Citation: A. Wesemann, Compensation design for the "New Man": Funds for new media: Why political support of dance isn't taking place in the sphere of new media, BALLETT INT, (1), 2001, pp. 36-39
Authors:
Wesemann, A
Citation: A. Wesemann, Ruckert 'Deluxe Joy Pilot', BALLETT INT, (1), 2001, pp. 48-48
Authors:
Wesemann, A
Citation: A. Wesemann, 'Desire' (Based on Eugene O'Neill's 'Desire Under the Elms'), THEAT HEUTE, (4), 2001, pp. 34-35
Authors:
Wesemann, A
Tankard, M
Citation: A. Wesemann et M. Tankard, I'm not a sports fan (An interview with choreographer Meryl Tankard), BALLETT INT, 2000, pp. 6-9
Authors:
Wesemann, A
Citation: A. Wesemann, Between sports and dance (From Nijinsky's 'Jeux' to Bogdanovski's '1.0', asport ballet picture history), BALLETT INT, 2000, pp. 15-18
Authors:
Wesemann, A
Citation: A. Wesemann, Dancing means: Breaking the rules (The strange liason between war and dance), BALLETT INT, 2000, pp. 19-23
Authors:
Wesemann, A
Citation: A. Wesemann, Authentic blows - The boxing ring as stage: Women as amateur boxers - A drama in one act, BALLETT INT, 2000, pp. 49-49
Authors:
Wesemann, A
Citation: A. Wesemann, And the winner is...(Results of the international critics' survey in dance), BALLETT INT, 2000, pp. 92-101