AAAAAA

   
Results: 1-25 | 26-47
Results: 1-25/47

Authors: Kleno, JG Kristiansen, MW Nielsen, CJ Pedersen, EJ Williams, LR Pedersen, T
Citation: Jg. Kleno et al., Diffusion coefficients in cold sulfuric acid solution, J PHYS CH A, 105(37), 2001, pp. 8440-8444

Authors: Williams, LR
Citation: Lr. Williams, Staining nucleic acids and proteins in electrophoresis gels, BIOTECH HIS, 76(3), 2001, pp. 127-132

Authors: Williams, LR Thornber, KK
Citation: Lr. Williams et Kk. Thornber, Orientation, scale, and discontinuity as emergent properties of illusory contour shape, NEURAL COMP, 13(8), 2001, pp. 1683-1711

Authors: Williams, LR
Citation: Lr. Williams, 'Suspicious River', SIGHT SOUND, 11(9), 2001, pp. 53-54

Authors: Williams, LR
Citation: Lr. Williams, Sick sisters - Is the violent 'Baise-moi' an issue of drama or pure exploitation?, SIGHT SOUND, 11(7), 2001, pp. 28-29

Authors: Williams, LR
Citation: Lr. Williams, 'Ginger Snaps' (June, pg. 36, 2001), SIGHT SOUND, 11(7), 2001, pp. 68-68

Authors: Williams, LR
Citation: Lr. Williams, 'Ginger Snaps', SIGHT SOUND, 11(6), 2001, pp. 36

Authors: Williams, LR
Citation: Lr. Williams, 'Mauvaise Passe' (The 'Escort'), SIGHT SOUND, 11(1), 2001, pp. 48-48

Authors: Williams, LR
Citation: Lr. Williams, The oldest swinger in town (The enduring appeal of the 'Emmanuelle' films), SIGHT SOUND, 10(8), 2000, pp. 24-27

Authors: Williams, LR
Citation: Lr. Williams, Jane Campion's The 'Piano', SIGHT SOUND, 10(8), 2000, pp. 32-32

Authors: Williams, LR
Citation: Lr. Williams, Feminism Hollywood: From 'Born in Flames' to 'Point Break', SIGHT SOUND, 10(8), 2000, pp. 32-33

Authors: Williams, LR
Citation: Lr. Williams, American cinema and Hollywood: Critical approaches, SIGHT SOUND, 10(8), 2000, pp. 32-32

Authors: Williams, LR
Citation: Lr. Williams, Film studies: Critical approaches, SIGHT SOUND, 10(8), 2000, pp. 32-32

Authors: Williams, LR
Citation: Lr. Williams, World cinema: Critical approaches, SIGHT SOUND, 10(8), 2000, pp. 32-32

Authors: Williams, LR
Citation: Lr. Williams, Alfred Hitchcock's 'Rear Window', SIGHT SOUND, 10(8), 2000, pp. 32-32

Authors: Williams, LR
Citation: Lr. Williams, Francis Ford Coppola's The 'Godfather' trilogy, SIGHT SOUND, 10(8), 2000, pp. 32-32

Authors: Williams, LR
Citation: Lr. Williams, 'Titanic', SIGHT SOUND, 10(8), 2000, pp. 33-33

Authors: Williams, LR
Citation: Lr. Williams, Mike Leigh: Interviews, SIGHT SOUND, 10(8), 2000, pp. 34-34

Authors: Williams, LR
Citation: Lr. Williams, Forbidden British cinema, SIGHT SOUND, 10(8), 2000, pp. 34-34

Authors: Williams, LR
Citation: Lr. Williams, Bernardo Bertolucci: Interviews, SIGHT SOUND, 10(8), 2000, pp. 34-34

Authors: Williams, LR
Citation: Lr. Williams, On screen rivals: Cinema and television in the United States and Britain, SIGHT SOUND, 10(8), 2000, pp. 35-35

Authors: Williams, LR
Citation: Lr. Williams, Narrative and genre: Key concepts in Media Studies, SIGHT SOUND, 10(8), 2000, pp. 35-35

Authors: Williams, LR
Citation: Lr. Williams, Television, history and American culture: Feminist critical essays, SIGHT SOUND, 10(8), 2000, pp. 35-35

Authors: Williams, LR
Citation: Lr. Williams, 'Sacred Flesh', SIGHT SOUND, 10(6), 2000, pp. 52-53

Authors: Williams, LR
Citation: Lr. Williams, 'Sex, the Annabel Chong Story', SIGHT SOUND, 10(5), 2000, pp. 60-61
Risultati: 1-25 | 26-47