Citation: Dj. Youngblood, MAIN STREET AMUSEMENTS - MOVIES AND COMMERCIAL ENTERTAINMENT IN A SOUTHERN CITY, 1896-1930 - WALLER,GA, Historical journal of film radio and television, 16(2), 1996, pp. 275-277
Citation: Dj. Youngblood, DEMILLE,CECIL,B. AND AMERICAN CULTURE - THE SILENT-ERA - HIGASHI,S, Historical journal of film radio and television, 16(2), 1996, pp. 275-277
Citation: Dj. Youngblood, EARLY CINEMA IN RUSSIA AND ITS CULTURAL RECEPTION - TSIVIAN,Y, Historical journal of film radio and television, 16(2), 1996, pp. 275-277
Citation: Dj. Youngblood, VIEWING POSITIONS - WAYS OF SEEING FILM - WILLIAMS,L, Historical journal of film radio and television, 15(3), 1995, pp. 451-452
Citation: Dj. Youngblood, POST-STALINIST CINEMA AND THE MYTH OF WORLD-WAR-II - TARKOVSKII 'IVANS CHILDHOOD' (1962) AND KLIMOV 'COME AND SEE' (1985)( SOVIET FILM ), Historical journal of film radio and television, 14(4), 1994, pp. 413-419
Citation: Dj. Youngblood, THE CINE GOES TO TOWN - FRENCH CINEMA, 1896-1914 - ABEL,R, Historical journal of film radio and television, 14(4), 1994, pp. 481-481
Citation: Dj. Youngblood, RED WOMEN ON THE SILVER-SCREEN - SOVIET WOMEN AND CINEMA FROM THE BEGINNING TO THE END OF THE COMMUNIST ERA - ATTWOOD,L, Slavic review, 53(1), 1994, pp. 298-299
Citation: Dj. Youngblood, SOVIET WAR POSTERS, C.1940-1945 - THE TASS POSTER SERIES FROM THE HALLWARD-LIBRARY, UNIVERSITY-OF-NOTTINGHAM - A LISTING AND GUIDE - SPRING,DW, Historical journal of film radio and television, 13(3), 1993, pp. 369-370
Citation: Dj. Youngblood, EISENSTEIN,S.M., SELECTED WORKS, VOL 2, TOWARDS A THEORY OF MONTAGE (1937-1940) - GLENNY,M, TAYLOR,R,, Historical journal of film radio and television, 13(2), 1993, pp. 243-244