Articles table of contents

Results : 12

Subthematicism and metaphor in Beethoven's Tenth Symphony

Authors: Barry Cooper

Journal: Ad Parnassum (Testo stampato)

Citation: Barry Cooper, Subthematicism and metaphor in Beethoven's Tenth Symphony, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 5-22

The recapitulation as climax in the first movements of Mozart's early concertos

Authors: Adena Portowitz

Journal: Ad Parnassum (Testo stampato)

Citation: Adena Portowitz, The recapitulation as climax in the first movements of Mozart's early concertos, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 7-20

Women soloists and the piano concerto in nineteenth-century London

Authors: Therese Ellsworth

Journal: Ad Parnassum (Testo stampato)

Citation: Therese Ellsworth, Women soloists and the piano concerto in nineteenth-century London, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 21-49

Themeninvention und ihre variative Ausarbeitung im 2 : Satz Von Schuberts A-Moll-Sonate Op. 42 (D 845)

Authors: Hartmuth Kinzler

Journal: Ad Parnassum (Testo stampato)

Citation: Hartmuth Kinzler, Themeninvention und ihre variative Ausarbeitung im 2 : Satz Von Schuberts A-Moll-Sonate Op. 42 (D 845), Ad Parnassum (Testo stampato) , I(1), 2003, pp. 23-49

Canonic passages in the later piano sonatas of Muzio Clementi : their structural and expressive roles

Authors: Rohan H. Stewart-MacDonald

Journal: Ad Parnassum (Testo stampato)

Citation: Rohan H. Stewart-macdonald, Canonic passages in the later piano sonatas of Muzio Clementi : their structural and expressive roles, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 51-107

Schenker, Chopin's Berceuse Op. 57 and the rhetoric of variations

Authors: Antonio Cascelli

Journal: Ad Parnassum (Testo stampato)

Citation: Antonio Cascelli, Schenker, Chopin's Berceuse Op. 57 and the rhetoric of variations, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 52-79

The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck

Authors: Jen-yen Chen

Journal: Ad Parnassum (Testo stampato)

Citation: Jen-yen Chen, The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 81-109

Soziale und ästhetische Implikationem öffentlichen Konzertlebens in Wein zu beginn des neunzehnten Jahrhunderts

Authors: Peter Niedermüller

Journal: Ad Parnassum (Testo stampato)

Citation: Peter Niedermüller, Soziale und ästhetische Implikationem öffentlichen Konzertlebens in Wein zu beginn des neunzehnten Jahrhunderts, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 109-132

Three previously unknown musical pieces by Juliusz Zarebski

Authors: Ryszard Daniel Golianek

Journal: Ad Parnassum (Testo stampato)

Citation: Ryszard Daniel Golianek, Three previously unknown musical pieces by Juliusz Zarebski, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 111-120

The Classical period : a musicologicl misnomer

Authors: Abigail Chantler

Journal: Ad Parnassum (Testo stampato)

Citation: Abigail Chantler, The Classical period : a musicologicl misnomer, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 121-142

Unexpected examples of sonata form : Claude-Benigne Balbastre's 1759 Pieces de clavecin, premier livre

Authors: Paul Cienniwa

Journal: Ad Parnassum (Testo stampato)

Citation: Paul Cienniwa, Unexpected examples of sonata form : Claude-Benigne Balbastre's 1759 Pieces de clavecin, premier livre, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 133-146

Das blicklose Auge der klassichen Kunst : ein beitrag zur Klassik-Diskussion

Authors: Federico Celestini

Journal: Ad Parnassum (Testo stampato)

Citation: Federico Celestini, Das blicklose Auge der klassichen Kunst : ein beitrag zur Klassik-Diskussion, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 147-160

Results: 1-12