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Subthematicism and metaphor in Beethoven's Tenth Symphony

Authors: Barry Cooper

Journal: Ad Parnassum (Testo stampato)

Citation: Barry Cooper, Subthematicism and metaphor in Beethoven's Tenth Symphony, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 5-22

Die variation in den Orchesterwerken von Antonín Dvorák

Authors: Jarmila Gabrielová

Journal: Ad Parnassum (Testo stampato)

Citation: Jarmila Gabrielová, Die variation in den Orchesterwerken von Antonín Dvorák, Ad Parnassum (Testo stampato) , 2(4), 2004, pp. 7-44

The Tromba and Corno in Bach's time

Authors: Beverly Jerold

Journal: Ad Parnassum (Testo stampato)

Citation: Beverly Jerold, The Tromba and Corno in Bach's time, Ad Parnassum (Testo stampato) , 6(12), 2008, pp. 7-39

Listening again and again : Mozart's Music in Niemetschek's 'Life'

Authors: John Irving

Journal: Ad Parnassum (Testo stampato)

Citation: John Irving, Listening again and again : Mozart's Music in Niemetschek's 'Life', Ad Parnassum (Testo stampato) , 6(11), 2008, pp. 7-18

Über zusammenhänge zwischen thematischer arbeit und metrischer reguliertheit des musikalischen baus in der streichquartett- : Komposition von Luigi Boccherini

Authors: Christian Speck

Journal: Ad Parnassum (Testo stampato)

Citation: Christian Speck, Über zusammenhänge zwischen thematischer arbeit und metrischer reguliertheit des musikalischen baus in der streichquartett- : Komposition von Luigi Boccherini, Ad Parnassum (Testo stampato) , 3(5), 2005, pp. 7-22

Anton Gräffer's reminiscences of Paganini's Viennese Concert tour of 1828 : an inside view of the first performance and the break with Antonia Bianchi

Authors: Rita Steblin

Journal: Ad Parnassum (Testo stampato)

Citation: Rita Steblin, Anton Gräffer's reminiscences of Paganini's Viennese Concert tour of 1828 : an inside view of the first performance and the break with Antonia Bianchi, Ad Parnassum (Testo stampato) , 3(6), 2005, pp. 7-32

Violinists "Singing" : Paganini, Operatic Voices, and Virtuosity

Authors: Maiko Kawabata

Journal: Ad Parnassum (Testo stampato)

Citation: Maiko Kawabata, Violinists "Singing" : Paganini, Operatic Voices, and Virtuosity, Ad Parnassum (Testo stampato) , 5(9), 2007, pp. 7-39

Mendelssohn Reception and Us : reflections on the Bicentenary

Authors: R. Larry Todd

Journal: Ad Parnassum (Testo stampato)

Citation: R. Larry Todd, Mendelssohn Reception and Us : reflections on the Bicentenary, Ad Parnassum (Testo stampato) , 7(14), 2009, pp. 7-35

Les "impressions de voyage", source d'ispiration pour les pensionnaires compositeurs de la Villa Médicis (1880-1910)

Authors: Alexandre Dratwicki

Journal: Ad Parnassum (Testo stampato)

Citation: Alexandre Dratwicki, Les "impressions de voyage", source d'ispiration pour les pensionnaires compositeurs de la Villa Médicis (1880-1910), Ad Parnassum (Testo stampato) , 4(7), 2006, pp. 7-31

Clementi's Orchestral Works, Their Style and British Symphonism in the Nineteenth Century : S. Wsley, Crotch, Potter, MacFarren and Sterndale Bennett

Authors: Rohan H. Stewart-MacDonald

Journal: Ad Parnassum (Testo stampato)

Citation: Rohan H. Stewart-macdonald, Clementi's Orchestral Works, Their Style and British Symphonism in the Nineteenth Century : S. Wsley, Crotch, Potter, MacFarren and Sterndale Bennett, Ad Parnassum (Testo stampato) , 5(10), 2007, pp. 7-71

Rethinking Diabelli's Waltz in Relation to Beethoven's Variations

Authors: Walter Schenkman

Journal: Ad Parnassum (Testo stampato)

Citation: Walter Schenkman, Rethinking Diabelli's Waltz in Relation to Beethoven's Variations, Ad Parnassum (Testo stampato) , 4(8), 2006, pp. 7-19

Mahler's instrumental Entr's act for Die drei Pintos and his emerging symphonic style

Authors: James L. Zychowicz

Journal: Ad Parnassum (Testo stampato)

Citation: James L. Zychowicz, Mahler's instrumental Entr's act for Die drei Pintos and his emerging symphonic style, Ad Parnassum (Testo stampato) , 2(3), 2004, pp. 7-30

The recapitulation as climax in the first movements of Mozart's early concertos

Authors: Adena Portowitz

Journal: Ad Parnassum (Testo stampato)

Citation: Adena Portowitz, The recapitulation as climax in the first movements of Mozart's early concertos, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 7-20

Galant Style, Enlightenment, and the Paths from Minor to Major in Later Instrumental Works by Haydn

Authors: Floyd Grave

Journal: Ad Parnassum (Testo stampato)

Citation: Floyd Grave, Galant Style, Enlightenment, and the Paths from Minor to Major in Later Instrumental Works by Haydn, Ad Parnassum (Testo stampato) , 7(13), 2009, pp. 9-41

From Court to Public : the Uses of Keyboard Concertos in Austria 1750-1770

Authors: Martin Eybl

Journal: Ad Parnassum (Testo stampato)

Citation: Martin Eybl, From Court to Public : the Uses of Keyboard Concertos in Austria 1750-1770, Ad Parnassum (Testo stampato) , 6(11), 2008, pp. 19-40

An Insular World of Romantic lsolation : Harmonic Digressions in the Early Nineteenth-Century Piano Concerto

Authors: Stephan D. Lindeman

Journal: Ad Parnassum (Testo stampato)

Citation: Stephan D. Lindeman, An Insular World of Romantic lsolation : Harmonic Digressions in the Early Nineteenth-Century Piano Concerto, Ad Parnassum (Testo stampato) , 4(8), 2006, pp. 21-80

Women soloists and the piano concerto in nineteenth-century London

Authors: Therese Ellsworth

Journal: Ad Parnassum (Testo stampato)

Citation: Therese Ellsworth, Women soloists and the piano concerto in nineteenth-century London, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 21-49

[...] Wherein good taste, order and thoroughness rule : hearing Riepel's Op. I Violin Concertos through Riepel's Theories

Authors: Stefan Eckert

Journal: Ad Parnassum (Testo stampato)

Citation: Stefan Eckert, [...] Wherein good taste, order and thoroughness rule : hearing Riepel's Op. I Violin Concertos through Riepel's Theories, Ad Parnassum (Testo stampato) , 3(5), 2005, pp. 23-44

Themeninvention und ihre variative Ausarbeitung im 2 : Satz Von Schuberts A-Moll-Sonate Op. 42 (D 845)

Authors: Hartmuth Kinzler

Journal: Ad Parnassum (Testo stampato)

Citation: Hartmuth Kinzler, Themeninvention und ihre variative Ausarbeitung im 2 : Satz Von Schuberts A-Moll-Sonate Op. 42 (D 845), Ad Parnassum (Testo stampato) , I(1), 2003, pp. 23-49

Gattung und Erwartung : Brahms, das Leipziger gewandhaus und der misserfolg des Klavierkonzerts Op. 15

Authors: Michele Calella

Journal: Ad Parnassum (Testo stampato)

Citation: Michele Calella, Gattung und Erwartung : Brahms, das Leipziger gewandhaus und der misserfolg des Klavierkonzerts Op. 15, Ad Parnassum (Testo stampato) , 2(3), 2004, pp. 31-60

Master of her art : Fanny hensel (née Mendelssohn Bartholdy), 1805-1847

Authors: Susan Wollenberg

Journal: Ad Parnassum (Testo stampato)

Citation: Susan Wollenberg, Master of her art : Fanny hensel (née Mendelssohn Bartholdy), 1805-1847, Ad Parnassum (Testo stampato) , 3(6), 2005, pp. 33-44

Influence and Revolt : Mozart's "Paris" Symphony, K. 294

Authors: Chadwick Jenkins

Journal: Ad Parnassum (Testo stampato)

Citation: Chadwick Jenkins, Influence and Revolt : Mozart's "Paris" Symphony, K. 294, Ad Parnassum (Testo stampato) , 4(7), 2006, pp. 33-62

Mendelssohn's Fugues for String Quartet (1821)

Authors: John Micheal Cooper

Journal: Ad Parnassum (Testo stampato)

Citation: John Micheal Cooper, Mendelssohn's Fugues for String Quartet (1821), Ad Parnassum (Testo stampato) , 7(14), 2009, pp. 37-69

Thematic Rapprochement in the Recapitulations of Haydn, Mozart, and Beethoven

Authors: Anatole Leikin

Journal: Ad Parnassum (Testo stampato)

Citation: Anatole Leikin, Thematic Rapprochement in the Recapitulations of Haydn, Mozart, and Beethoven, Ad Parnassum (Testo stampato) , 6(12), 2008, pp. 41-67

Notes and Numbers in the "Goldberg"

Authors: Walter Schenkman

Journal: Ad Parnassum (Testo stampato)

Citation: Walter Schenkman, Notes and Numbers in the "Goldberg", Ad Parnassum (Testo stampato) , 5(9), 2007, pp. 41-70

Results: 1-25 | 26-50 | 51-67