string(211) "select * FROM articoli_opac WHERE fonte <> 'ISI' AND fonte='ACNP' AND fasc_issn='17223954' order by level desc, fasc_key desc, NULLIF(regexp_replace(pagina_ini, E'\\D', '', 'g'), '')::int asc offset 25 limit 25"
Citation: Daniela Macchione, Gioachino Rossini : "Aria variata per il violino" : storia di un tema, Ad Parnassum (Testo stampato) , 6(11), 2008, pp. 41-63
Citation: Balàzs Mikusi, Haydn's "Requiem for Mozart"? : revisiting the Slow Movement of Symphony No. 98, Ad Parnassum (Testo stampato) , 7(13), 2009, pp. 43-58
Citation: Rohan H. Stewart-macdonald, Canonic passages in the later piano sonatas of Muzio Clementi : their structural and expressive roles, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 51-107
Citation: Guy Dammann, "Sonate, que me veux-tu?" : Jean-Jacques Rousseau and the problem of instrumental music, Ad Parnassum (Testo stampato) , 3(5), 2005, pp. 57-67
Citation: Stéphani Moraly, Aux sources d'un Age.d'Or : la Sonate pour violon et piano en France ou XIXe siècle, Ad Parnassum (Testo stampato) , 7(13), 2009, pp. 59-93
Citation: Germán Labrador, Música y vida cotidiana en la corte española (1760-1808) : la afición musical de Carlos IV, Ad Parnassum (Testo stampato) , 3(6), 2005, pp. 65-98
Citation: Rohan H. Stewart-macdonald, The Treatement of the Sonata Principle and the Cultivation of "Cyclic" Processes in the Symphonies of Sir Charles Villiers Stanford (1852-1924), Ad Parnassum (Testo stampato) , 6(12), 2008, pp. 69-144
Citation: Rohan H. Stewart-macdonald, "Developmental Recession" and Large-Scale Teleology in the Sonata-Type Movements of Felix Mendelssohn Bartholdy, Ad Parnassum (Testo stampato) , 7(14), 2009, pp. 71-113
Citation: Elio Matassi, "Musical Carpets" : philosophy oft he History of Music 'contra' the Sociology of Music, Ad Parnassum (Testo stampato) , 5(9), 2007, pp. 71-85
Citation: Hartmuth Kinzler, Chopins B-Moll-Sonate : Vier seiner Tollisten Kinder - Genetisch verwandt? : Spekulative Überlegungen zum inneren Zusammenhang des werkes sowie weitere analytische Beobachtungen, Ad Parnassum (Testo stampato) , 2(4), 2004, pp. 73-129
Citation: Jen-yen Chen, The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 81-109
Citation: Joao Pedro D'Alvarenga, Some Preliminaries in Approaching Carlos Seixas' Keyboard Sonatas, Ad Parnassum (Testo stampato) , 7(13), 2009, pp. 95-128
Citation: Rohan H. Strewart-macdonald, Elements of "through.composition" in the violin concertos Nos. 23 and 27 by Giovanni Battista Viotti, Ad Parnassum (Testo stampato) , 3(6), 2005, pp. 99-131
Citation: Uri Golomb, Mendelssohn's creative response to late Beethoven : polyphony and thematic identity in Mendelssohn's quartet in A-major Op. 13, Ad Parnassum (Testo stampato) , 4(7), 2006, pp. 101-119
Citation: Stephan D. Lindeman, Continental Composers and their English Influence, as Manifested in the Piano Concertos of William Sterndale Bennett, Ad Parnassum (Testo stampato) , 5(10), 2007, pp. 103-141