string(211) "select * FROM articoli_opac WHERE fonte <> 'ISI' AND fonte='ACNP' AND fasc_issn='17223954' order by level desc, fasc_key desc, NULLIF(regexp_replace(pagina_ini, E'\\D', '', 'g'), '')::int asc offset 50 limit 25"
Citation: Federico Maria Sardelli, Il flauto nell'Italia del primo Settecento, con cenni particolari a Vivaldi e Venezia, Ad Parnassum (Testo stampato) , 2(3), 2004, pp. 104-152
Citation: Peter Niedermüller, Soziale und ästhetische Implikationem öffentlichen Konzertlebens in Wein zu beginn des neunzehnten Jahrhunderts, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 109-132
Citation: Ryszard Daniel Golianek, Three previously unknown musical pieces by Juliusz Zarebski, Ad Parnassum (Testo stampato) , II(1), 2003, pp. 111-120
Citation: Keith Chapin, Classicist Terms of Sublimity : Christian Friedrich Michaelis, Fugue, and Fantasy, Ad Parnassum (Testo stampato) , 4(8), 2006, pp. 115-139
Citation: Benedict Taylor, Beyond Good and Programmatic : Mendelssohn's "Reformation" Symphony, Ad Parnassum (Testo stampato) , 7(14), 2009, pp. 115-127
Citation: Dillon R. Parmer et Nicole Grimes, "Come, Rise to Higher Spheres!" : tradition Trascended in Brahms's Violin Sonata No. 1 in G Major, Op. 78, Ad Parnassum (Testo stampato) , 7(13), 2009, pp. 129-152
Citation: Bella Brover-lubovsky, When the dominant doesn't dominate : tonal structure in Vivaldi's concertos, Ad Parnassum (Testo stampato) , 2(4), 2004, pp. 131-151
Citation: Paul Cienniwa, Unexpected examples of sonata form : Claude-Benigne Balbastre's 1759 Pieces de clavecin, premier livre, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 133-146
Citation: Federico Celestini, Das blicklose Auge der klassichen Kunst : ein beitrag zur Klassik-Diskussion, Ad Parnassum (Testo stampato) , I(1), 2003, pp. 147-160
Citation: Elio Matassi, The Adaemonic/Daemonic spirit of music : E. T. A Hoffmann's review of Beethoven's Fifth Symphony and the apology of instrumental music in W. H Wackenroder, Ad Parnassum (Testo stampato) , 2(3), 2004, pp. 153-162
Citation: Michael Walter, Analyse und Wahrnehmungsperspektive am Beispiel von Mozart's Violinkonzert KV 218, Ad Parnassum (Testo stampato) , 2(4), 2004, pp. 153-179