Every motion picture is an innovation that competes for theater screen
s and audiences during its brief life against a changing array of impe
rfect substitutes. We analyze a large sample of motion pictures as an
evolving rank tournament of survival and death. The results indicate t
hat the failure rate of motion pictures is time-dependent and survival
time is strongly related to the number of initial bookings. Weekly bo
x office revenue is highly convex in rank, which is consistent with Ro
sen's superstar phenomenon. Our results have implications for motion p
icture licensing arrangements, which have been severely restricted by
U.S. court decisions.