GENDER, ANATOMICAL KNOWLEDGE, AND POTTERY PRODUCTION - MIMBRES POTTERY, BIRTHS, AND GENDER - A RECONSIDERATION - AN UNUSUAL BIRTH DEPICTED IN MIMBRES POTTERY - NOT CRACKED UP TO WHAT IT IS SUPPOSED TO BE - RESPONSE

Citation
M. Hegmon et Wr. Trevathan, GENDER, ANATOMICAL KNOWLEDGE, AND POTTERY PRODUCTION - MIMBRES POTTERY, BIRTHS, AND GENDER - A RECONSIDERATION - AN UNUSUAL BIRTH DEPICTED IN MIMBRES POTTERY - NOT CRACKED UP TO WHAT IT IS SUPPOSED TO BE - RESPONSE, American antiquity, 62(4), 1997, pp. 737-739
Citations number
3
Categorie Soggetti
Archaeology,Archaeology
Journal title
ISSN journal
00027316
Volume
62
Issue
4
Year of publication
1997
Pages
737 - 739
Database
ISI
SICI code
0002-7316(1997)62:4<737:GAKAPP>2.0.ZU;2-L
Abstract
We originally concluded that because birth scenes depicted on Mimbres bowls are anatomically unusual or impossible, and men are generally un familiar with the details of birth, the pots most likely were painted by men. Three of the four counter-arguments presented in the comments- (1) there is no other way to depict birth; (2) one part of one paintin g is actually a crack in the vessel: (3) some men are involved in birt hing-either are incorrect (1) or have no impact on our conclusions (2 and 3). The fourth counter-argument-that the depictions are necessary artistic conventions-is significant but does riot negate our conclusio ns. The comments by Espenshade and by Shaffer et al. misrepresent and distort our argument and in one case misquote us.