GENDER, ANATOMICAL KNOWLEDGE, AND POTTERY PRODUCTION - MIMBRES POTTERY, BIRTHS, AND GENDER - A RECONSIDERATION - AN UNUSUAL BIRTH DEPICTED IN MIMBRES POTTERY - NOT CRACKED UP TO WHAT IT IS SUPPOSED TO BE - RESPONSE
M. Hegmon et Wr. Trevathan, GENDER, ANATOMICAL KNOWLEDGE, AND POTTERY PRODUCTION - MIMBRES POTTERY, BIRTHS, AND GENDER - A RECONSIDERATION - AN UNUSUAL BIRTH DEPICTED IN MIMBRES POTTERY - NOT CRACKED UP TO WHAT IT IS SUPPOSED TO BE - RESPONSE, American antiquity, 62(4), 1997, pp. 737-739
We originally concluded that because birth scenes depicted on Mimbres
bowls are anatomically unusual or impossible, and men are generally un
familiar with the details of birth, the pots most likely were painted
by men. Three of the four counter-arguments presented in the comments-
(1) there is no other way to depict birth; (2) one part of one paintin
g is actually a crack in the vessel: (3) some men are involved in birt
hing-either are incorrect (1) or have no impact on our conclusions (2
and 3). The fourth counter-argument-that the depictions are necessary
artistic conventions-is significant but does riot negate our conclusio
ns. The comments by Espenshade and by Shaffer et al. misrepresent and
distort our argument and in one case misquote us.