Pc. Gordon, COHERENCE MASKING PROTECTION IN BRIEF NOISE COMPLEXES - EFFECTS OF TEMPORAL PATTERNS, The Journal of the Acoustical Society of America, 102(4), 1997, pp. 2276-2283
Three experiments examined listeners' thresholds for classifying the p
itch of a target signal in a masking noise when it was presented alone
as compared to when it was presented with a ''cosignal.'' The target
signal was a narrow band of noise centered on either 375 or 625 Hz and
the masker was noise low-pass filtered at 1000 Hz. The cosignal provi
ded no information about the pitch of the target signal but could pote
ntially combine with it to form an auditory object; it was spectrally
well separated from the target signal, consisting of a band of noise r
anging from 2200 to 2900 Hz. Experiment 1 showed that identification t
hresholds were lower when the target signal was paired with the cosign
al than when it was presented alone if the onsets and offsets of the t
arget signal and cosignal were temporally synchronous. This is an inst
ance of ''coherence masking protection,'' a phenomenon that has previo
usly been established in the perception of vowels [p. c. Gordon, Perce
pt. Psychophys. 59, 232-242 (1997)]. The effect disappears when the co
signal leads and lags the target signal by short durations, a finding
that also matches that observed previously with vowels. The finding th
at temporal relations between the components of a stimulus have simila
r effects on the perception of nonspeech noise complexes and speech so
unds suggests that speech perception makes use of general auditory mec
hanisms for perceptual integration of this sea. Experiments 2 and 3 ex
amine further the role of temporal relations between the onsets and of
fsets of the target signal and the cosignal in producing coherence mas
king protection. The results show that either onset synchrony or offse
t synchrony is sufficient to produce the effect when the cosignal is o
f greater duration than the target signal, but that only onset synchro
ny produces the effect when the target signal has greater duration tha
n the cosignal. This pattern indicates that the target signal and cosi
gnal do not contribute equally to the formation of auditory objects. (
C) 1997 Acoustical Society of America. [S0001-4966(97)03609-6] PACS nu
mbers: 43.66.Dc, 43.66.Mk [RHD].