A new approach to figurative language, cognitive metaphor, is the basi
s of an analysis of the dramatic and critical language of and about Ma
cbeth. The analysis shows that the CONTAINER and PATH schemata dominat
e the salient metaphors of the play, as well as those of the critics w
ho have written for the last two hundred years about Macbeth. The anal
ysis traces Macbeth's sanguinary career as taking the form of a contai
ned path, an analysis available only through a cognitive-metaphoric ap
proach. Because cognitive metaphor offers independently motivated anal
yses - these schemata and their projections are well documented in oth
er poetic and non-poetic language - this approach refutes the claim th
at the findings of stylistic studies are predetermined and wholly ''in
terpretive'' in the strictest sense.