FROM AESTHETICS TO PSYCHOLOGY - NOTES ON VYGOTSKY PSYCHOLOGY-OF-ART

Authors
Citation
Mg. Lima, FROM AESTHETICS TO PSYCHOLOGY - NOTES ON VYGOTSKY PSYCHOLOGY-OF-ART, Anthropology & education quarterly, 26(4), 1995, pp. 410-424
Citations number
8
Categorie Soggetti
Education & Educational Research",Anthropology
ISSN journal
01617761
Volume
26
Issue
4
Year of publication
1995
Pages
410 - 424
Database
ISI
SICI code
0161-7761(1995)26:4<410:FATP-N>2.0.ZU;2-A
Abstract
Vygotsky's investigations on art in tile early part of his career prep ared the way for-his discovery of the semiotic-historical dimension of psychological develop ment. The Psychology of Art was a pioneer work in the field of art psychology, exploring issues such as the role of e motion in art, the nature of aesthetic experience, the semiotic nature of psychological processes, and the foundations of a Marxist psycholo gy and a Marxist aesthetics. Central to the elaboration of Vygotsky's ideas was his dialogue with, and criticism of, Russian formalism. In t his respect, his ideas on art psychology have many points of contact w ith the criticism of the formal method in literary studies by Bakhtin.