Afro-Brazilian religion in its traditional forms (candomble and xango)
is typically a religion of the body and of the gesture. The first act
of its ritual is animal sacrifice, which feeds both the gods and the
faithful. It is a religion in which thought is expressed through the m
otions of dance and trance, far removed from the cerebral religions ty
pical of the western world during the Reformation, the Counter-Reforma
tion and the rise of capitalism with its austerity and privation. Anch
ored firmly in the tangible world, candomble'-xango recognizes no sepa
ration between body and soul, nor between health and holiness. Its fun
damental hedonism finds a natural place in a postmodern society which
is once more valuing the body, gesture, emotion and passion.