Jb. Connelly, PARTHENON AND PARTHENOI - A MYTHOLOGICAL INTERPRETATION OF THE PARTHENON FRIEZE, American journal of archaeology, 100(1), 1996, pp. 53-80
Since the late 18th century, the Parthenon frieze has generally been v
iewed as a representation of the fifth-century Athenian citizenry part
icipating in their annual (or quadrennial) Panathenaic procession. Vie
wed with out a mythological reference, the frieze stands outside the c
onventions of Greek temple decoration, which regularly derived its sub
ject matter from the mythical past. The story of King Erechtheus, his
wife Praxithea, and their three maiden daughters who gave their lives
to save Athens is proposed here as the mythological reference behind t
he images. The east frieze shows the royal family preparing for the sa
crifice of the youngest daughter, required by an oracle for victory ov
er Eumolpos. The assembly of gods looks out to the approaching sacrifi
cial procession of the first commemorative festival, ordained by Athen
a, in memory of Erechtheus and the parthenoi. Erechtheus's triumphant
cavalry and chariots follow behind those who bring animals to sacrific
e, and those who carry water and honey offerings, all following behind
the holy choruses of maidens who lead the procession. Thus, Athenians
from the mythical past commemorate the dead hero and heroines and cel
ebrate their first victory over outside aggressors in what may be view
ed as a central aition of the Panathenaia itself.