This paper attempts to develop a critical transnationalist perspective
in cultural studies from the localized cultural and political context
of contemporary 'Australia'. It takes the Australian nation-state's c
urrent gee-economic and gee-political preoccupation with a so-called '
push into Asia) as a starting point for a questioning of dominant disc
ourses of international relations and the place of 'Australia' within
it. In particular, the paper aims to deconstruct the binary divide bet
ween 'Asia' and 'the West' which still informs official discourses of
the 'Asianization' of Australia. In order to do this, it is suggested
that the world must be conceived as a set of interconnected and interd
ependent, but distinctive modernities, signalling both the success and
the failure of the universalizing European project of modernity throu
gh colonial expansion. From this historical perspective,'Asia' and 'Au
stralia' no longer appear as absolute binary opposites, as they can bo
th be seen as historical products of the European colonizing/modernizi
ng project. The paper then moves on to critique the privileged status
of the nation not only in the official international order but also in
cultural studies. A critical transnationalist cultural studies must t
ake the centrality of the nation-state in the modern world system seri
ously, though not for granted. The nation-state is put within a transn
ational frame by highlighting its complex and contradictory role withi
n the fluid and dynamic forces of global capitalism. It is these force
s which inform the current conflictual rapprochement of 'Australia' an
d 'Asia'. However, this - desired and contested - rapprochement cannot
be understood without its proper contextualization within and against
the background of the divergent (post)colonial histories of both 'Aus
tralia' (as a white-settler colony) and 'Asia'. This illuminates the n
ecessity of addressing the intersections between cultural studies and
postcolonial theory in developing a critical transnationalism.