In this article we explore alternative meanings and functions of home-
directed consumption, in particular those aspects of consumption which
have to do with presentation and appearance (fittings, furnishings an
d decor). Our focus is on popular taste, on those whose needs are met
principally by mass marketing rather than the avant garde or the conno
isseur. Recent debates have drawn attention to the possibility of plea
sure and self-expression through consumption: contrasting the active s
haping of cultures of consumption with the notion of consumer as mere
passive recipient, manipulated by business interests. Our work suggest
s that neither view gives a satisfactory account of the complex meanin
gs of consumption in the home. 'Home' carries a heavy ideological weig
ht and these meanings permeate interpretation of consumption for the h
ome. Questions of style, design and tastefulness evidently cause anxie
ty, but they are largely subsumed by familial values (a relaxed, comfo
rtable haven) and also by the desire to maintain 'respectability' thro
ugh maintaining high house-keeping standards. We argue that women are
frequently caught in the crux of the tensions these conflicting goals
create.