As nature has been humanized-the land settled and modern landscapes cr
eated thanks to agricultural techniques-mankind's place in pictures of
nature has shrunk over the centuries to the point of disappearing sin
ce Impressionism. This has happened less because peasants have physica
lly vanished from the real landscape (in fact, they were never as pres
ent as during the second half of the 19th century in France) than beca
use their symbolic role as mankind's special intermediary with nature,
men and, in the past, with the religious sphere has waned. Whether in
the plastic arts or literature, artistic representations often preced
e historical events: in this case, the fact that peasants were no long
er in the field of vision before disappearing from the fields.