Two experiments explored the representation of the tonal hierarchy in
Western music among older (aged 60 to 80) and younger (aged 15 to 22)
musicians and nonmusicians. A probe tone technique was used: 4 notes f
rom the major triad were presented, followed by 1 note chosen from the
12 notes of the chromatic scale. Whereas musicians had a better sense
of the tonal hierarchy than nonmusicians, older adults were no worse
than younger adults in differentiating the notes according to musical
principles. However, older adults were more prone than younger adults
to classify the notes by frequency proximity (pitch height) when proxi
mity was made more salient, as were non-musicians compared with musici
ans. With notes having ambiguous pitch height, pitch height effects di
sappeared among older adults but not nonmusicians. Older adults seem t
o have internalized tonal structure, but they sometimes fail to inhibi
t less musically relevant information.