It is usually assumed that Derrida's reading of Austin is or aims to b
e a Continental critique of the analytical tradition of philosophy. In
this paper it is argued that conceiving the case of Austin and Derrid
a as a contest between two traditions of philosophy is wholly inapprop
riate and superficial. Derrida's work is in many respects quite close
to Austin's, both interested in and indebted to his problematic. Indee
d, both can be seen to have a central concern with a tendency to simpl
ify and schematize the functioning of ordinary language, a tendency wh
ich they both call ''philosophical''. Of course, Derrida's view of Aus
tin's theory of speech-acts is not uncritical. Specifically, he argues
that Austin's theory is forced into exclusion of possibilities of the
iii phenomenon of ordinary language - what Austin calls ''marginal''
and ''parasitic:'' cases - that are neither rigorous nor logical. The
cases at issue concern circumstances in which language is used, in Aus
tin's terms, ''not seriously'', for example, in stage recitation. Agai
nst Austin, Derrida argues that such cases are, qua possibility, part
of the essential structure of a language. It is, he claims, inconceiva
ble that something should be a word and not have ''citationality'' as
part of its logical structure. And hence one cannot exclude the ''para
site'' without distorting one's account of the ''ordinary'' as well. T
hrough a careful re-appraisal of Derrida's argument it is shown that t
he real lesson of the case of Austin and Derrida is just how difficult
it is to avoid a preconceived ideal of the ordinary to which we think
reality must correspond; of presuming as unproblematic an approach to
ordinary language which is idealizing in its inception.