This paper suggests a particular framework for investigating contempor
ary women performance artists who write and perform written texts. It
argues that these texts are an important force in contemporary feminis
t writing, and that they are largely ignored as such. Two texts are an
alysed in detail, these are; Rose English's Walks on Water and Holly H
ughes' World Without End. This is guided by the play between the physi
cal presence of the performer, and the concern within the texts to de-
stabilise a complete sense of self-refuse the simplicity of binaries.
The paper argues that these texts, and these women's performance of th
em, crack open the possibilities of the performative.