Several studies have shown that the control of simultaneous movements
differ according to the execution context. For instance, when subjects
raise simultaneously their index finger and heel as fast as possible
after an auditory signal, the simultaneity is controlled by sending sy
nchronously the motor commands to both effecters. On the other hand, w
hen subjects self-pace their movements, the simultaneity is controlled
by processing the delay between afferent signals from both movements
at the central level (Paillard, 1948). It has been hypothesized that a
mode of control similar to the self-paced condition is also used when
subjects produce simultaneous and repetitive movements in synchroniza
tion with a metronome (Fraisse, 1980). We examined this hypothesis by
asking subjects to move simultaneously the index finger and heel in sy
nchronization with metronome sounds. Results showed that the events ch
ronology (i.e., heel movement first, finger movement second and metron
ome sound third) was a function of the relative distance of the effect
ers and auditory organ from the central comparator. We deduced that th
e synchronization and simultaneity was evaluated by computing the time
elapsed between the arrival of the sensory feedback of the movement a
nd auditory signal. The second goal of the study was to assess whether
, in such a task, each effector is synchronized separately to the metr
onome sound or together as an unit. A strong positive correlation was
found between finger and heel synchronization errors. This supports th
e hypothesis that finger and heel movements are synchronized as an uni
t to the metronome rather than independently. In conclusion, simultane
ity between effecters and synchronization between effecters and an ext
ernal signal, although they share similar processes based on afferent
information, are likely to be controlled separately.