The article cakes as its starting point the widely acknowledged tenden
cy within contemporary media studies to shift the focus of interest fr
om media texts more and more to the daily contexts of their reception
and use. It sees the most extreme expression of this development in th
e 'epistemology of the everyday' as put forward in Hermes' recent rese
arch programme. Based on a thesis of the 'meaninglessness' of everyday
media use, this programme can be viewed as a challenge to critical cu
ltural audience research, most notably by implying that the routines o
f daily life not only accommodate the media and their genres but at th
e same time denude them of their power. In the article this challenge
is assessed from the perspective of the critical cultural study of new
s reception by examining the untheorized status of the 'everyday' with
in ethnographically inspired media studies. Here the metaphorical equa
tion of daily life and television viewing with 'flow' is used as a cen
tral illustration in order to also assess critically the usefulness of
the flow metaphor itself in approaching empirically the use and inter
pretation of mass media. The article argues that such a narrow and unr
eflexive understanding of everyday activity, experience and meaning ma
king forms an obstacle to redeeming the emancipatory and empowering pr
omises of an 'epistemology of the everyday'.