In this article I consider some representations of the figure of the i
ndigene in contemporary Australia, and their implications for a range
of issues and debates in cultural theory. In particular, I examine the
positioning of the indigenous body within two related discourses that
I term 'multiculturalism' and 'hybridity', or the discourses of happy
hyphenation and happy hybridization, respectively. These discourses,
I want to suggest, raise specific problems in an Australian historical
context, where the effects of scientific racism are being confronted
by indigenous peoples in relation to land rights claims and, more gene
rally, the dominant culture's demands for an 'authentic', visible and
unproblematic Aboriginality that can be both clearly marked and contai
ned. The figure of Truganini has particular significance in these deba
tes, precisely because her body has figured as the site of geneticist
practices and discourses. Simultaneously I locate these representation
s in the context(s) of the monument year of 1993, contexts that encomp
ass a mesh of interrelated cultural concerns sometimes simplified unde
r the heading of 'Australian national identity'.