Eg. Schellenberg et Lj. Trainor, SENSORY CONSONANCE AND THE PERCEPTUAL SIMILARITY OF COMPLEX-TONE HARMONIC INTERVALS - TESTS OF ADULT AND INFANT LISTENERS, The Journal of the Acoustical Society of America, 100(5), 1996, pp. 3321-3328
Two experiments examined the influence of sensory consonance on the pe
rceptual similarity of simultaneous pairs of complex tones (harmonic i
ntervals). In experiment 1, adults heard a sequence of five consonant
intervals (each a perfect fifth, or 7 semitones) and judged whether a
subsequently presented test interval was a member of the sequence. Dis
crimination performance was better when the test interval was dissonan
t (tritone, 6 semitones) rather than consonant (perfect fourth, 5 semi
tones), despite the fact that the change in interval width was twice a
s great for the consonant than for the dissonant comparison. In experi
ment 2, 7-month-old infants were tested with an operant headturn proce
dure in a similar design and exhibited an identical pattern of respond
ing. Hence, for both age groups, consonance was more important than in
terval width in determining the perceived similarity of harmonic inter
vals. (C) 1996 Acoustical Society of America.