DISCOURSE OF MUSIC AND INSCRIPTION OF THE SURNAME IN DAS-WOHLTEMPERIERTE-KLAVIER BY BACH,JOHANN,SEBASTIAN

Authors
Citation
S. Leikert, DISCOURSE OF MUSIC AND INSCRIPTION OF THE SURNAME IN DAS-WOHLTEMPERIERTE-KLAVIER BY BACH,JOHANN,SEBASTIAN, Psyche, 50(3), 1996, pp. 218-243
Citations number
31
Categorie Soggetti
Psychology, Psycolanalysis
Journal title
PsycheACNP
ISSN journal
00332623
Volume
50
Issue
3
Year of publication
1996
Pages
218 - 243
Database
ISI
SICI code
0033-2623(1996)50:3<218:DOMAIO>2.0.ZU;2-F
Abstract
The author tries to develop a comprehension of music based on a differ ence between the two systems of writing in music and language. Music o ffers no fixed connection between signifier and signification as they are brought about in language by sequences of letters. Therefore the n ame-of-the-father, whose recognition guarantees psychic stability, can not be introduced into the discourse of music. The >>Welltempered Pian o<< by Johann Sebastian Each shows how the composer reacts to this dil emma: in a biographical and music-historical difficult situation, Each , in a cryptographical way, interweaves his proper name with the score and thereby replaces the missing name-of-the-father.