S. Leikert, DISCOURSE OF MUSIC AND INSCRIPTION OF THE SURNAME IN DAS-WOHLTEMPERIERTE-KLAVIER BY BACH,JOHANN,SEBASTIAN, Psyche, 50(3), 1996, pp. 218-243
The author tries to develop a comprehension of music based on a differ
ence between the two systems of writing in music and language. Music o
ffers no fixed connection between signifier and signification as they
are brought about in language by sequences of letters. Therefore the n
ame-of-the-father, whose recognition guarantees psychic stability, can
not be introduced into the discourse of music. The >>Welltempered Pian
o<< by Johann Sebastian Each shows how the composer reacts to this dil
emma: in a biographical and music-historical difficult situation, Each
, in a cryptographical way, interweaves his proper name with the score
and thereby replaces the missing name-of-the-father.