This paper offers a contextualized study of Goethe's Zur Farbenlehre.
Goethe's work on colour theory did not merely depict his disdain for t
he Newtonian doctrine of light and colours: it illustrated his opposit
ion to two extreme forms of politics apparent during the first decade
of the nineteenth century - unenlightened despotism and anarchy. Goeth
e's prismatic games offered a more accessible epistemology to a wider
audience. Hence, he linked what he considered to be the closed circles
of interpretation of Newtonianism to Catholicism and the illuminati.
He wished to establish a 'republic of colour theory', in order to subv
ert the hegemonic control which the Newtonians had established in opti
cs. By using both the prismatic games and the history which Goethe him
self provided in Zur Farbenlehre, this paper offers an account of how
political narratives shape the meaning of experiment