This research offers an ethnographic portrait of a coven of teenage Sa
tanists. It argues that the psychological, folklore, and constructioni
st perspectives on Satanism are lacking an important voice-the adolesc
ent Satanists themselves. By listening to them, it becomes clear that
Satanism allows them to challenge the dominant culture's norms and val
ues. Lacking the social power though, the Coven primarily used a symbo
lic critique, through the creation of a Satanic style.