According to the author's observations, the >>second holocaust<< is a
phenomenon encountered both in the first and the second generation. Th
is dramatic concept seeks to convey the fact that the devastations of
the actual holocaust are re-enacted and unconsciously repeated by the
survivors and their children in terms not only of the content of the t
rauma but also of its style. Referring to a number of potted case hist
ories, the authors describe how inevitable and absolute the shadow of
destruction is felt to be by the victims and how the contrive to survi
ve under this shadow. From a therapeutic viewpoint it appears helpful
to encounter the onset and the effects of this >>second holocaust<< by
activating the life side of the life-death dichotomy as a counter aga
inst the compulsive urge for repitition. Life, through felt itself to
be permanently at risk, must be made to function as the motor for the
negation of death.