Taking seriously J.M. Robert's suggestion that early nineteenth-centur
y secret society lore might profitably be analysed using anthropologic
al insights, this article examines the poetics of southern Italian car
bonaro discourse as expressed between about 1810 and 1821. It explores
the aptness of various tropes (metaphor, irony, metonym) to carbonaro
goals and to carbonaro identity during this turbulent period. It show
s that apprentice-level ritual and symbolism reflected Turner's concep
ts of structure and anti-structure (and communitas). Both carbonaro id
eology and Turner's concepts are explored critically in light of ironi
c contradictions arising from contrasts between ideology and practice.
Finally, the article discusses master-level appropriation of a centra
l Christian trope (Christ's Passion), which sharply challenged the sta
tus quo while invoking town and neighbourhood symbolism. This is shown
as having been apt to the more politically committed among carbonari.