Various authors interested in postmodernism suggest that Las Vegas is
a particularly strategic site that promotes and even exaggerates a pos
tmodern logic and ''structure of feeling.'' The present ethnographic f
ragments seek to evoke this postmodern logic through its subjectively
experienced structure of feeling. The approach used to produce these f
ragments consists of juxtaposing postmodern insights; unstructured int
erviews with, and interventions by, a wide variety of individuals enco
untered in Las Vegas; and self-reflexive observations in the rapidly d
isappearing space separating the mediascape from the everyday.