This inquiry examined the portrayal of family relationships in domesti
c comedy. Participants were randomly assigned to view and evaluate sam
ples of thirteen programs, selected for the study on the basis of thei
r popularity during the period 1950-1990. Separate discriminant functi
on analyses of spousal and parent-child relations showed that spousal
relations were defined in terms of receptiveness and expressiveness wh
ile parent-child relations were defined in terms of the effectiveness
of child socialization and the affective tone of the relationship. Fur
ther examination provided strong evidence that the development of the
television family has occurred as a stepwise process in which successi
ve generations have been characterized by changed levels of relational
openness and a general trend toward increased expression of affect in
spousal relations. The study yielded no support for the claim that fa
mily life and family relations have deteriorated across time in the te
levision family although there was evidence that working-class familie
s are seen to be less functional than higher socio-economic status fam
ilies. The limitations and implications of these findings are discusse
d.