The centennial of the Musee social's creation invites us to reflect up
on the social meaning of this late 19th-century <<think-tank>> devoted
to <<the moral and material betterment of workers b. An analysis of t
he various stages of its inception-from the 1889 Universal Exposition,
to the Conseil superieur du travail, and finally to the privately spo
nsored institution opened to public in 1895 - reveals the multiplicity
of actors and the complexity of the <<social field>> in late 19th-cen
tury France. The Musee social, situated in the interstices of philanth
ropy, politics and emerging social science, offers a transversal look
at the construction of social politics and points to a broader definit
ion of the notion of government than that might otherwise be invoked w
hen analyzing more traditional institutions such as the Parlement.