This essay examines the way in which an eminent anthropologist, Henri-
Alexandre Junod, constructed a modern vision of Africa at the end of t
he nineteenth-century. Junod's lasting achievement was to replace the
gothic imagery of darkness and irrationality, through which Victorian
writers portrayed Africa, with a scientific, universal system of signi
fication. By absorbing Africa into a field of vision dominated by Euro
pean norms and conventions, Junod tamed the continent's otherness. Thi
s led him to interpret African sculpture and carving as representing a
primitive stage in a universal artistic tradition dominated by Europe
.