William Burton founded the Congo Evangelistic Mission in 1914 and work
ed at Mwanza in South Eastern Zaire from that time until the outbreak
of civil war in 1960. Between about 1930 and 1940 Burton took photogra
phs of ethnological subjects to complement the collection of artefacts
he was making for the University of the Witwatersrand in Johannesburg
. This paper examines these photographs in the context of Burton's mis
sionary work at the time of expanding colonial power; and it considers
how his selection of subject-matter, and his manner of representing h
is subject-matter, were affected by the competing claims of anthropolo
gical knowledge and Christian evangelism.