In this paper I attempt to identify possible gardens, as opposed to na
tural landscapes, in Aegean artistic depictions, Scenes of nature occu
r in various media, but most extensively in frescoes. The Aegean garde
n remains elusive in art because of the artists' tendency to render pl
ants and floral settings in idealized and fantastic ways. An exception
is a possible formal garden depicted in the well-known floral fresco
from the Minoan villa at Amnisos. Generally, however, the Aegean garde
n must have consisted of a natural landscape that was modified only in
limited and subtle ways, through cultivation and other means. Importa
nt in the search for clues for such modifications are representations
of cultivable types of flora, and activities in which people and anima
ls interact with floral settings. It is suggested here that a Minoan g
arden may have existed in the east wing of the palace at Phaistos. Thi
s is a rocky outcrop with fissures and holes that may have been plante
d with flowers. As can be seen from a newly made topographical plan, t
he rock was trimmed with tools and incorporated in the architectural p
lan of that area of the palace.