The principle behind the formation of high resolution live fringe patt
erns by real-time shearography is presented. It is shown that linear a
nd nonlinear photographic recordings both yield instantaneous fringe p
atterns which depict the instantaneous surface displacement gradient o
f the object. However, in theory, nonlinear photographic recording res
ults in lower fringe visibility compared with linear photographic reco
rding. In ei ther case, real-time shearography requires a simple optic
al setup and eliminates the need for Fourier filtering during fringe r
ead-out. It is also found that the fringe characteristics of real-time
and double exposure methods differ by a phase angle of 180 degrees.