This article examines the manipulation of visual metaphor in the carto
ons of Edward Gorey. Like verbal metaphor, visual metaphor may be anal
yzed using I. A. Richards's categories of tenor, vehicle, and ground.
Gorey's fictional world is dark, macabre, and strange, yet his style i
s at once brooding, dangerous, and familiar, old-fashioned in appearan
ce yet modem in theme. He uses Victorian motifs and Gothic settings to
examine modern beliefs and fears, capitalizing on the formula of the
menace inherent in the familiar. Gorey uses symbols, signs, and icons
from the common visual lexicon but changes their contexts to simultane
ously emphasize and undermine their sentimentality.