This research examines the recent public outcry against violent rap so
ngs such as Ice T's ''Cop Killer.'' It was hypothesized that rap lyric
s receive more negative criticism than other types of lyrics, perhaps
because of their association with Black culture. Two experiments were
conducted to examine the effect of musical genre and race of singer on
reactions to violent song lyrics. The results support the hypothesis.
When a violent lyrical passage is represented as a rap song, or assoc
iated with a Black singer, subjects find the lyrics objectionable, wor
ry about the consequences of such lyrics, and support some form of gov
ernment regulation. If the same lyrical passage is presented as countr
y or folk music, or is associated with a White artist, reactions to th
e lyrics are significantly less critical on all dimensions. The findin
gs are briefly discussed in terms of various models of racism and ster
eotyping.