Bullfighting, as a spectacle, provides a special frame for projections
, externalizations, and identifications. The central appeal of bullfig
hting is sadistic gratification, which seems to be of a mostly parrici
dal nature. The public experiences intense ambivalence toward the prot
agonists of the fight, who exert attraction for the id as well as for
the superego. The existence of intrasystemic conflicts is pointed out.
The history of bullfighting reflects the evolution of collective comp
romise formations between the fulfillment of sadistic drives and super
ego sensitivities, as influenced by changing social tolerance. The aut
hor reviews the most common rationalizations of the spectators, the se
xual prototypes in bullfighting, the manifestations of envy toward the
bullfighter, and the public's narcissistic regression due to the gran
diose identification with him. Some associations from patients are com
mented upon.