This paper outlines a new role for rock art in the writing of southern
African history. The old view of the art as a pictorial record of Sto
ne Age life needs to be discarded. What has been learned about souther
n African rock art has raised the status of its images from objects in
need of explanation to evidence for historically situated social proc
esses. These processes implicated riot only the makers of the art but
also neighbouring peoples with whom they interacted. The art became a
site of struggle as 'egalitarian' values were eroded and shamans assum
ed political roles that included control of resources.