The study offers measurements of the vocal breaks occurring from the m
odal to the falsetto register in an untrained barytone. The breaks wer
e achieved by increasing the expired airflow. An analogy with a labial
pipe served as a help. The voice phenomena were divided into three re
gions. In the region of low modal frequencies (A-e) a simultaneous sou
nding of both the modal and falsetto registers was investigated. This
was registered perceptually as vocal roughness. Under special conditio
ns a subharmonic tone was produced. In the medium frequency region (e-
g(1)) the vocal breaks occurred. The break intervals occupied the mean
value of about a quint on the modal tone e. With increasing modal fre
quency, the break intervals decreased. In the high-tone region (g(1)-e
(2)) only the falsetto register could be produced.