EFFECTS OF PAIR BOND AND PRESENCE OF CONSPECIFICS ON SINGING IN CAPTIVE ZEBRA FINCHES

Authors
Citation
Am. Dunn et Ra. Zann, EFFECTS OF PAIR BOND AND PRESENCE OF CONSPECIFICS ON SINGING IN CAPTIVE ZEBRA FINCHES, Behaviour, 134, 1997, pp. 127-142
Citations number
37
Categorie Soggetti
Zoology,"Behavioral Sciences
Journal title
ISSN journal
00057959
Volume
134
Year of publication
1997
Part
1-2
Pages
127 - 142
Database
ISI
SICI code
0005-7959(1997)134:<127:EOPBAP>2.0.ZU;2-8
Abstract
Undirected Song is commonly performed in wild and captive zebra finche s and is typically given by males partly isolated from other members o f the flock or colony. It has no territorial function nor it is used d uring precoital courtship; its frequency varies strongly among individ uals. However, its rate of performance is severely limited by the clos e proximity of conspecifics, and this study investigated what social f actors are responsible for this constraint in first-generation offspri ng of wild-caught zebra finches. The close presence of females caused a greater reduction in singing than did that of males. Familiarity bet ween companions and the singer was also a factor that reduced the rate of singing. The more familiar the singer became with a female the mor e often he would sing in her presence, whereas the opposite occurred w ith males - singing was more prevalent with strangers than with famili ar companions. Pair formation reduced a singer's sensitivity to inhibi tory factors associated with the close proximity of conspecifics. Simp le visual and auditory contact with a conspecific was not sufficient t o constrain Undirected Singing, but intense, close range interactions appear to be necessary. It is hypothesised that Undirected Singing is used to attract females for pair formation or extra-pair mating, but t he close proximity of male companions and/or the mate hampers this. Ho wever, in a competitive mate choice experiment there was no significan t correlation between the rate at which a male gave Undirected Song an d order of the pair formation. This suggests that Undirected Singing m ay nor be crucial in the ultimate choice of a mate, but it may still b e a useful cue at the outset of pair formation.