Undirected Song is commonly performed in wild and captive zebra finche
s and is typically given by males partly isolated from other members o
f the flock or colony. It has no territorial function nor it is used d
uring precoital courtship; its frequency varies strongly among individ
uals. However, its rate of performance is severely limited by the clos
e proximity of conspecifics, and this study investigated what social f
actors are responsible for this constraint in first-generation offspri
ng of wild-caught zebra finches. The close presence of females caused
a greater reduction in singing than did that of males. Familiarity bet
ween companions and the singer was also a factor that reduced the rate
of singing. The more familiar the singer became with a female the mor
e often he would sing in her presence, whereas the opposite occurred w
ith males - singing was more prevalent with strangers than with famili
ar companions. Pair formation reduced a singer's sensitivity to inhibi
tory factors associated with the close proximity of conspecifics. Simp
le visual and auditory contact with a conspecific was not sufficient t
o constrain Undirected Singing, but intense, close range interactions
appear to be necessary. It is hypothesised that Undirected Singing is
used to attract females for pair formation or extra-pair mating, but t
he close proximity of male companions and/or the mate hampers this. Ho
wever, in a competitive mate choice experiment there was no significan
t correlation between the rate at which a male gave Undirected Song an
d order of the pair formation. This suggests that Undirected Singing m
ay nor be crucial in the ultimate choice of a mate, but it may still b
e a useful cue at the outset of pair formation.