The author has given some of his reflections on one of Anton Chekhov's
greatest works, the late play Three Sisters. The paper considers the
origins of the central concerns of Chekhov's life in a childhood beset
by trauma and physical and emotional deprivation, the effects of whic
h he partially overcame through genius and rigorous self-examination a
nd self-discipline. As one examines the plot of this play, one can app
reciate the complexity of the playwright's position-delicately and mys
teriously suspended between the role of scientific observer of the hum
an condition, while also passsionately involved, empathically and mora
lly, in the the inner worlds of both men and women, the young and old,
people often trapped within their personal limitations and the social
, economic and political worlds they inhabit.