The authors approach the work of Sigmund Freud by regarding the theory
and history of psychoanalysis in terms of a feature that they have in
common, namely secrecy. This proclivity towards secrecy, which stands
in contradiction to the psychoanalytic principle of total frankness a
nd demystification, is illustrated by a number of examples - the sugge
stion made by Jones to Ferenczi and Freud in 1911 for the >>formation
of a secret committee to supervise the development of psychoanalysis<<
; the censorship practised by Jones in connection with the use of the
Freud Archives; and the case history of Emmy von N., where Freud assum
es the role of depositary for the memories communicated by his patient
under hypnosis and observes strict secrecy about them. The authors gi
ve a particularly detailed account of the evidence of the >>secret of
psychoanalysis. to be traced in Totem and Taboo, which they elucidate
with the aid of a reading of Shakespeare's Tempest.