An examination of the actual arguments put forth by the Biblical schol
ar Ernst Sellin regarding the hypothesis of the murder of Moses, upon
which Freud is supposed to have based his own analysis in 'Moses and M
onotheism', reveals that Sellin's theory, which differs widely from Fr
eud's, contains many features which ought perhaps to have appealed to
Freud, most notably, the depiction of the deed as a graphic scene of o
edipal violence and primal scene imagery. In exploring why Freud might
have chosen not to use Sellin's reconstruction of the death of Moses,
the author proposes that his version allowed, as Sellin's did not, fo
r an analogy between Israelite history and the typical course of an ob
sessive-compulsive neurosis; and that the value of the latter lay in i
ts providing grounds for hope that psychoanalysis itself might survive
a period of 'latency' in the wake of Freud's impending death. In addi
tion to speculating about Freud's motives, the author seeks to give a
good exposition of Sellin's ideas, which despite their importance to F
reud's thought remain relatively unknown or misunderstood in psychoana
lytic circles.